The Atlantic·4 min read·medium
Homer Was the Homer of the Zulus
A
Adam Serwer
✦AI Summary
The Atlantic analyzes the right-wing backlash against Christopher Nolan's film 'The Odyssey,' arguing that the criticism is driven by the inclusion of Black and trans actors rather than the film's political themes. The author suggests the film actually serves as a critique of Trumpist radicalism.
The right-wing backlash to The Odyssey is about portraying civilization as a whites-only project.
cultureentertainmentpolitics
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